Flaming lips vein of stars1/9/2024 ![]() ![]() Nolan sings with a folksy twang that’s often an eerie analog to Coyne’s own vocal style. Paul Nolan, who played the serene lead in McAnuff’s recent revival of “Jesus Christ Superstar” at the Playhouse and on Broadway, trades his crown of thorns for a bowler and bow tie as the charmingly odd Ben, Yoshimi’s spurned but persistent ex-lover. ![]() Talented ones – particularly the irresistible Kimiko Glenn (of the Playhouse’s “The Nightingale”) as the title warrior, a Japanese-American artist whose struggle to defeat a dire illness metamorphoses into a battle against the ‘bots, with whom she literally has bad blood. That’s right: There are people in “Yoshimi,” too. And if at times McAnuff seems a bit too in love with such tech gambits as the text-message-style supertitles (which overxplain the action), he doesn’t let the show’s humanity or its central love story get crowded off the stage. The production’s technology can be thrilling, especially in robot-battle scenes that masterfully calibrate elements of music, lighting, sound and visual design. (The show almost certainly marks the stage debut of the previously unheralded “circulating lymphoma cells.” Then again, not many major stage musicals have showcased songs akin to the Lips’ – unless I missed a number titled “Ego Tripping at the Gates of Hell” somewhere in “Carousel.”) McAnuff has hot-wired Lips leader Wayne Coyne’s lyrics together with some high-wire biomedical plotting involving a fight against deadly disease. But it draws much of its emotional punch from the mysteries of being vs. The inventive and at times fantastical “Yoshimi,” which is something like a prog-opera, takes its title, its songs (most of them) and its life-embracing yet elegiac vibe from the 2002 Lips album of the same name. In the world-premiere musical “Yoshimi Battles the Pink Robots,” those blessed machines sing (a little), they dance (a little more), they serve as full metal metaphors (always).Īs fleshed out, so to speak, through the music of The Flaming Lips, and directed with electric expertise by Des McAnuff for La Jolla Playhouse, they also help put on one circuit-blower of a show. Retrieved November 16, 2021.Robots have long lifted the human imagination. ^ "The Flaming Lips Chart History (Top Rock Albums)".^ "The Flaming Lips Chart History ( Billboard 200)".^ " – The Flaming Lips – At War with the Mystics".^ "Official Scottish Albums Chart Top 100".^ "Charts.nz – The Flaming Lips – At War with the Mystics".^ " The Flaming Lips: At War with the Mystics" (in Finnish).^ " – The Flaming Lips – At War with the Mystics" (in Dutch).^ "Danishcharts.dk – The Flaming Lips – At War with the Mystics".^ "Ultratop.be – The Flaming Lips – At War with the Mystics" (in Dutch).^ "Flaming Lips dial down the whimsy on "Embryonic" "."The Flaming Lips: At War With the Mystics". ^ "The Flaming Lips: At War with the Mystics". ![]() "The Flaming Lips: At War With The Mystics". "The Flaming Lips, At War With the Mystics". "The Flaming Lips: At War with the Mystics". "At War with the Mystics – The Flaming Lips". ^ "Reviews for At War With The Mystics by The Flaming Lips".By 2009, the album had sold over 220,000 copies in United States, according to Nielsen SoundScan. The album is more guitar-driven and features more politically themed lyrics than the band's previous two albums The Soft Bulletin (1999) and Yoshimi Battles the Pink Robots (2002).Īt War with the Mystics won a 2006 Grammy Award for Best Rock Instrumental Performance and Best Engineered Album, Non-Classical, and was also nominated for Best Alternative Album. " The Yeah Yeah Yeah Song (With All Your Power)"Īt War with the Mystics is the eleventh studio album by American rock band the Flaming Lips, released on Apby Warner Bros.
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